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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
By Joe Coscarelli and Melena Ryzik
13 February 2019
For nearly two decades, Ryan Adams, one of the most prolific singer-songwriters of his generation, has been heralded as a mercurial creative genius and a respected industry tastemaker.
Equal parts punk-rock folk hero and romantic troubadour, Adams, 44, has 16 albums and seven Grammy nominations to his name. He has overseen music by Willie Nelson, written a Tim McGraw hit and recorded with John Mayer.
He has also taken a special interest in the trajectory of female artists, especially younger ones, championing them onstage, across social media and in the studio, where his stamp of approval can jump-start careers.
Some now say that Adams’s rock-star patronage masked a darker reality. In interviews, seven women and more than a dozen associates described a pattern of manipulative behavior in which Adams dangled career opportunities while simultaneously pursuing female artists for sex.
Read the full article in the New York Times.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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