Upcoming Deadlines

October 31st: Genesis 2022 Choreographic Competition, November 1st: ArtFields 2022, November 1st: South Arts Traditional Arts Touring Grants, November 3rd: South Arts Emerging Traditional Artists Program, December 1st: New York City Dance Rehearsal Space Subsidy Program

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News

"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery

Posts

Dance Magazine: The gender equality debate continues: Ratmansky responds

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Author: Jennifer Stahl

“Last week we wrote about how choreographer Alexei Ratmansky set off a Facebook firestorm with a post proclaiming that ‘there is no such thing as equality in ballet’ when it comes to gender roles. Coming from one of today’s foremost choreographers in ballet, his words unsurprisingly drew hundreds of heated reactions.

And maybe that was part of the point.”

Read the complete article here

Dance Magazine: This choreographer just said ‘There is no such thing as equality in ballet’

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Author: Lauren Wingenroth

“And if that statement rubs you the wrong way—particularly coming from a highly acclaimed white male choreographer—you’re not alone.

On Sunday, American Ballet Theatre artist in residence and international ballet choreographer Alexei Ratmansky posted this on his Facebook page:

Read the complete article here

Dance Magazine: Can we all please acknowledge ballet’s sexism problem already?

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Author: Courtney Escoyne

“On Friday, The New York Times posted an article to its website titled ‘A Conversation With 3 Choreographers Who Reinvigorated Ballet,’ a joint interview with Justin Peck, Christopher Wheeldon and Alexei Ratmansky. It’s a delightful conversation at first, veering from process to style to musical choices—delightful, that is, until a question about the dearth of female choreographers in classical ballet arose.”

Read the complete article here