DDP Talks To
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
“Last week we wrote about how choreographer Alexei Ratmansky set off a Facebook firestorm with a post proclaiming that ‘there is no such thing as equality in ballet’ when it comes to gender roles. Coming from one of today’s foremost choreographers in ballet, his words unsurprisingly drew hundreds of heated reactions.
And maybe that was part of the point.”
“And if that statement rubs you the wrong way—particularly coming from a highly acclaimed white male choreographer—you’re not alone.
On Sunday, American Ballet Theatre artist in residence and international ballet choreographer Alexei Ratmansky posted this on his Facebook page:
“On Friday, The New York Times posted an article to its website titled ‘A Conversation With 3 Choreographers Who Reinvigorated Ballet,’ a joint interview with Justin Peck, Christopher Wheeldon and Alexei Ratmansky. It’s a delightful conversation at first, veering from process to style to musical choices—delightful, that is, until a question about the dearth of female choreographers in classical ballet arose.”
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery