DDP Talks To
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
October 10th: Dance/NYC's Disability. Dance. Artistry. Dance and Social Justice Fellowship Program, October 15th: Carmel Dance Festival Choreography Fellowship, October 15th: NDEO, What Data Can Do for You: Data-Driven Opportunities in Dance Education, November 1st: Carmel Dance Festival Dance Fellowship
×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
“Artistic director, star ballerina, lobbyist, wrangler, psychologist, spokeswoman. Tamara Rojo, the artistic director of English National Ballet, is one busy woman.
Ms. Rojo, 42, a Spanish-born former Royal Ballet principal dancer, has been in her current job for four years, and she has made a startling difference to English National Ballet — a London touring company of 67 dancers that has no home theater and has struggled for a long time to establish its identity in the shadow of the Royal. On Tuesday, her company began a sold-out run of Akram Khan’s critically praised ‘Giselle’ at Sadler’s Wells. Ms. Rojo commissioned the piece last year, part of her risk-taking approach.
She is also the company’s marquee ballerina (along with a fellow Royal Ballet alum, Alina Cojocaru), somehow managing to keep up her technical form and artistry while acting as a one-woman visionary, manager, cheerleader and glamorous high-profile ad for her organization.
Does she sleep?”
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery