News
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
February 7th: Movement Research Parent Residency, February 9th: NEA Arts Project Grant, February 9th: Pew Center for Arts & Heritage Grants & Fellowships, February 10th: MacDowell Colony Residency, February 15th: Princess Grace Awards Program, February 27th: Jacob's Pillow: Ann & Weston Hicks Choreography Fellows Program, March 1st: New England States Touring Grant, March 18th: BalletX Choreographic Fellowship, March 29th: USArtists International, April 14th: Arkansas Arts Council Individual Artist Fellowship, April 30th: Copenhagen International Choreography Competition, May 7th: Atlantic Center for the Arts Mentoring Artist-in-Residence Program, May 22nd: National Performance Network - Creation & Development Fund, May 31st: National Dance Project Travel Fund, June 1st: New York Choreographic Institute Residency, June 1st: Sadie-Rose Residency Program, June 12th: National Dance Project Production Grant - New England Foundation for the Arts, June 30th: South Arts Professional Development & Artistic Planning Grants
×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
Announcements about the Dance Data Project™ including new research, upcoming initiatives, additions to the team, and other exciting news.
Today, Dance Data Project® (DDP) is releasing the first-ever Gender Equity Index (GEI) for the U.S. dance industry in specific and performing arts in general. DDP’s GEI is designed to assess how dance companies measure up in terms of commissioning female creators, giving them leadership positions, and fostering a transparent and accountable culture. DDP’s Gender Equity Index is modeled on indices developed by Bloomberg, Equileap, Gender Fair, and ASU’s Women’s Power Index, among others.
Dance Data Project® (DDP) today released its second Dance Venue Leadership & Programming Report. The 2022 Report examines 73 leading ballet/classically inspired dance performance venues in the United States to provide a quantitative analysis of the organizations’ programming and leadership, an increase from 50 venues studied in 2020. This Report expands on DDP’s 2020 Dance Venue Leadership & Programming Report that was produced in collaboration with the Center for Equity, Gender, and Leadership (EGAL) at UC Berkeley’s Haas School of Business.
Today, Dance Data Project® (DDP) announces Raising the Barre: Curriculum for the Next Generation of Leadership in Dance. This free, online leadership curriculum offers creative solutions to properly equip dance leaders of the future with vital skills to strengthen their careers. It is not only for Artistic or Executive Director candidates, but also choreographers, those who are thinking about starting their own companies, and members of Boards of Directors.
Dance Data Project® (DDP) today released its fourth annual Artistic and Executive Leadership Report, tripling the scope of our inaugural Report of this kind to survey 150 total U.S. ballet companies. DDP’s study demonstrates the persistence of a glaring gender-based pay and opportunity gap:
-Only 30% of Artistic Directors at the Largest 50 ballet companies in the United States are women
-Over the past five years, the Largest 50 ballet companies have had more than twice as many men than women in the role of Artistic Director
-In 2018, there were 15 female and 34 male Artistic Directors
-In 2019, there were 13 female and 33 male Artistic Directors
-In 2020, there were 14 female and 33 male Artistic Directors
-In 2021, there were 15 female and 35 male Artistic Directors
-In 2022, there are 15 female and 35 male Artistic Directors
Dance Data Project® (DDP) today released its expanded annual Largest 150 U.S. Ballet & Classically Based Companies & Financial Scope of the Industry. The Report provides a national ranking based on company expenditures. DDP utilized publicly available Form 990s, supplemented by self-reporting and verification from companies directly as well as a bespoke proprietary algorithm gathering data directly from IRS websites for the FY 2020 report. DDP examined a total of 188 companies, a 49% increase from last year’s Report.
“Last year, DDP expanded coverage of the Largest 50 U.S. ballet companies to include the Next 50. In 2022, we have taken our reporting one step further, widening our scope to rank 150 total ballet companies, with the lower-budgeted organizations falling into the Additional 50 category. This is largely due to the help of innovative data scraping tools,” said Rebecca Ferrell, Dance Data Project® Research Lead & Programming Consultant.
Reach out to us to learn more about our mission.
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery