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"The Devil Ties My Tongue" SKETCH Series 2013 | photo: David DeSilva

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How Lauren Lovette’s new work speaks to the future

November 6, 2017/in News /by Isabelle Vail

The young choreographer spurns convention for something more authentic

On September 28, two men danced like they’d never done before. It was crisp, elegant and romantic. It was also the first of its kind, according to New York City Ballet, which opened its fall gala with a highly regarded program that featured new works from several established and rising stars.

But the one that caught many people’s attention was a world premiere by Lauren Lovette, a budding choreographer who presented her second original work for NYC Ballet during its fall 2017 fall gala. Her piece, titled Not Our Fate, explored love, race, and in this case, an ostensibly same-sex relationship. The players involved: company members Preston Chamblee and Taylor Stanley.

And it very nearly didn’t happen. As Lovette told the New York Times, “I wanted to find a dancer that had a very liquid quality—a strength but also a dramatic side and a contemporary feel and I wasn’t finding it,” she said. “Then I thought Taylor has that. That’s exactly Taylor. Why can’t I put two guys together?”

Why not indeed.

Lovette’s debut for New York City Ballet is perhaps one example of the generational shift taking place in companies and arts organizations across the world, and its message is clear: convention is dying, whether in matters related to romanticism or the perception that men and women are bound by tradition.

Not everyone is as forward-thinking. Shortly after Lovette’s debut, the choreographer Alexei Ratmansky drew heavy criticism for stating on his Facebook page that “sorry, there is no equality in ballet.” He went on to state that women have roles, men have theirs; it’s simply a matter of tradition. But if tradition is what counts, then people like Lovette might not be choreographing at all. That would be a loss for everyone.

https://www.dancedataproject.com/wp-content/uploads/2019/05/DDP_logo_Primary.png 0 0 Isabelle Vail https://www.dancedataproject.com/wp-content/uploads/2019/05/DDP_logo_Primary.png Isabelle Vail2017-11-06 14:30:382017-11-06 14:30:38How Lauren Lovette’s new work speaks to the future

New York City Ballet opens new season with world premiere by Lauren Lovette

September 28, 2017/in News /by Isabelle Vail

Tonight marks the opening of New York City Ballet’s new season, and with it, the second world premiere by NYCB Principal Dancer Lauren Lovette.
Lovette, a principal with the company since 2015, studied ballet at the Cary Ballet Conservatory in Cary, North Carolina, later attending summer courses at the School of American Ballet in the summers of 2004 and 2005. She enrolled at SAB as a full-time student in 2006, and joined the main company in 2010.

Her piece for the Fall Gala, which coincides with New York Fashion Week, pits Lovette and designers  Fernando Garcia and Laura Kim together for a collaboration that’s as much about style as it is dance.

Lovette began choreographing while a student at SAB where she participated in the School’s Choreography Workshops in 2008 and 2009. In the summer of 2010, Lovette also participated in a working session of the New York Choreographic Institute, and her first work for NYCB, For Clara, was created for the 2016 Fall Gala.

https://www.dancedataproject.com/wp-content/uploads/2019/05/DDP_logo_Primary.png 0 0 Isabelle Vail https://www.dancedataproject.com/wp-content/uploads/2019/05/DDP_logo_Primary.png Isabelle Vail2017-09-28 22:38:382017-09-28 22:38:38New York City Ballet opens new season with world premiere by Lauren Lovette

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"The Devil Ties My Tongue" SKETCH Series 2013 | photo: David DeSilva

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