The Globe and Mail: Crystal Pite tackles her biggest challenge yet at the Paris Opera Ballet
Crystal Pite arrives at the Paris Opera to premiere her work “Body and Soul.”
May 6th: Doris Duke Foundation Grant, May 7th: South Arts Individual Artist Career Opportunity Grant, May 27th: Dancemakers Residency, June 1st: Miami DanceMakers
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Crystal Pite arrives at the Paris Opera to premiere her work “Body and Soul.”
In her review of BB@home: ChoreograpHER for WBUR’s The Artery, Sharon Basco cites DDP metrics and dives deep into the opportunity for women choreographers provided at Boston Ballet.
An organization that helps women choreographers (among choreographers in general) could fold if funding is not provided this year.
If you play music and live in the world, you’re probably aware of classical music’s alarming lack of gender diversity, particularly in leadership roles. Marin Alsop of the Baltimore Symphony Orchestra remains the only female music director of a major American orchestra, and major orchestras continue to exclude works by female composers in their season programs.
Some cultural institutions are taking substantial steps to address gender inequity and diversity in their programming, their collections and their leadership.
The former Royal Ballet star Viviana Durante explains what it took to get back to performing on stage at 52
Viktor Kabaniaev remains in custody.
A Q&A with Julie Kent on WTOP, highlighting women taking the reins in the NEXTsteps program.
American Ballet Theatre’s current season places a special emphasis on works created for the company by women.
ABT principal Stella Abrera will retire in June 2020 from her longtime company.