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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
By Max Zahn with Andy Serwer
6 August 2020
Ballet star Misty Copeland told Yahoo Finance in a recent interview that the ballet industry remains “extremely behind” on issues of racial justice, criticizing the continued use of blackface in dance productions and the lack of diversity she has witnessed in her career.
But the nation’s racial reckoning in the aftermath of the police killing of George Floyd has prompted the ballet community to address such issues “for the first time,” says Copeland, who in 2015 became the first Black principal dancer at the American Ballet Theater, one of the most prominent ballet companies in the U.S.
“It’s something that the ballet world has been very easily able to just kind of get away with,” she says. Now “our eyes are wide open and people are listening.”
“It’s something that I’ve talked about very openly and freely in trying to be the most respectful as I can,” she adds. “Because I know the deep rooted traditions and history in classical dance.”
“Being a European art form and the fact that we still perform those ballets that were created in that time in Europe to this day,” she says. “Just says a lot about where we are in the ballet world when it comes to racism.”
In June, as racial justice protests arose in the U.S. and around the world, ballet dancers called on their companies to acknowledge the lack of diversity and Black representation within the industry. The American Ballet Theater — among other ballet companies and cultural institutions — released a statementmourning the death of Floyd and vowing to do more to address racial injustice.
Read the full article here.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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