DDP Talks To
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
USA Today:
17 October 2019
This weekend’s Louisville Ballet production — a three-bill performance called “Serenade + at High + Velocity” — will feature a dance designed by the company’s newest addition and first-ever female resident choreographer, Andrea Schermoly.
Before 2018, the Louisville Ballet company did not have designated positions for resident choreographers but did hire female choreographers for dozens of shows. So, while Schermoly is not the first woman to ever choreograph a show at Louisville Ballet, she is the first official resident choreographer, a yearslong contracted position with the company that includes consistent commissions and collaboration.
It’s a high-profile gig in a male-dominated industry.
Schermoly’s choreographed dance, “at High” — accompanied by a live orchestral performance of Gustav Mahler’s Fourth Symphony — is not her first work with the Louisville Ballet. She choreographed the company’s performance of Martha Graham’s “Appalachian Spring” in February and has been involved in previous years of the Choreographer’s Showcase.
Before her dancing career was ended by an injury and she began choreographing in full force, Schermoly danced professionally for the Boston Ballet Company and the Netherlands Dance Theater, and trained at the National School of the Arts in Johannesburg, where she grew up.
Read the full article on USA Today’s Courier Journal.
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