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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
By Mark Monahan
5 April 2019
Is it encouraging and emancipating – or patronising and pigeonholing – to showcase “female choreographers”? Either way, there’s no doubt that women are sorely under-represented in the realm of dance-creation, and you could hardly accuse English National Ballet (under dancer-director Tamara Rojo) of not sticking to its guns.
Three years ago, it unveiled She Said, a triple bill of new works by women. Now, also at Sadler’s Wells, it is serving up an even more explicit #MeToo-era broadside, with She Persisted.
Read the full review in The Telegraph.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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