April 20th: The Awesome Foundation Micro Grants, April 30th: Oconee Performing Arts Society, May 1st: Small Plates Choreography Festival, July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
×
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
By Rebecca Stanley
13 May 2019
Now Peter and the Wolf returns to the stage – but not quite as we know it. In a brand new production from Birmingham Royal Ballet, Peter is a girl.
The story has been transported from the Russian countryside of almost a century ago to a modern urban landscape, and it’s coming to Shrewsbury’s Theatre Seven, Wolverhampton’s Grand Theatre, and Birmingham Hippodrome as part of its run.
“Why shouldn’t Peter be a girl?” asks the ballet’s choreographer and BRB First Artist, Ruth Brill.
“This feels like the right moment for the story to come back in a new form. Peter has a boldness and sense of playful fun and is an instinctive leader. I had certain dancers in mind to portray that, and they’re all girls. Why not? When I hear Peter’s music, I don’t think it’s particularly male.”
“While adults may question why Peter is a girl, I think most children will just accept it.”
While Sergei Prokofiev’s music and fable remain the same, our new interpretation has nine dancers playing a group of youngsters hanging out in ‘The Meadow’ and re-enacting the story of Peter and the Wolf using the scaffolding set.
Read the full article in the Shropshire Star.
Broadway World: Choreographer Jennifer Archibald’s ARCH DANCE Comes to...
Leave a Reply
Want to join the discussion?Feel free to contribute!