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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
Pointe: Dance Theatre of Harlem Kicks Off Ballet Across America with a New Ballet By Claudia Schreier
By Theresa Ruth Howard
28 May 2019
The Kennedy Center’s Ballet Across America festival (May 28–June 2) is celebrating women leadership and creativity this year, kicking off with three evenings of performances by Dance Theatre of Harlem. (Miami City Ballet joins them in a shared program on May 31, followed by their own performances.) Led by artistic director Virginia Johnson and executive director Anna Glass, DTH is a natural programming choice; so is bringing choreographer Claudia Schreier’s new ballet for the company, Passage, which has an all-female creative team. The work premiered earlier this month in Norfolk, Virginia, and was originally commissioned by the 2019 Commemoration, American Evolution and the Virginia Arts Festival, which honored the 400th anniversary of the first Africans to English North America. The overarching theme of the ballet celebrates the fortitude of the human spirit and the enduring will to prevail, which is apropos given that this is the 50th anniversary of a company that has seen much tribulation and triumph.
Passage shares the program with three older DTH ballets: Balanchine’s Valse Fantaisie, Geoffrey Holder’s Dougla and Dianne McIntyre’s 2016 work Change. Schreier started working with the company last summer, shortly before the passing of founder Arthur Mitchell; hers was the first rehearsal at DTH after his loss. “Just walking through a hallowed hall… to see the studio that was the launching point for so many historical works brings a sense of gravitas to every thing,” Schreier remarks. “It’s an enormous responsibility to carry the knowledge that you, with the dancers, are carrying that legacy forward.”
Read the full article on Pointe’s blog.
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