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"The Devil Ties My Tongue" SKETCH Series 2013 | photo: David DeSilva
"The Devil Ties My Tongue" SKETCH Series 2013 | photo: David DeSilva
By Moira Macdonald and Megan Burbank
18 September 2019
A classic pointe-shoe ballet; a weekend of work examining masculinity, queerness, race and gender; and an array of new choreography all over town — yes, it’s fall in Seattle and the dance is begun. Here are a few highlights of the season.
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Locally Sourced
Here’s a welcome rarity at Pacific Northwest Ballet: an evening of all-new work, all from local choreographers. Presenting world-premiere ballets will be Eva Stone, founder/producer of CHOP SHOP: Bodies of Work; Donald Byrd, artistic director of Spectrum Dance Theater and a Tony Award-nominated choreographer (“The Color Purple”); and PNB corps member Miles Pertl, whose work has been seen at the company’s Next Step and PNB School performances. Stone’s work, “Foil,” will be set to music by female composers from centuries past (Nadia Boulanger, Elisabeth Jacquet de la Guerre, Fanny Mendelssohn and Clara Schumann); Byrd’s, called “Love and Loss,” is set to music by Emmanuel Witzthum, and Pertl’s (as yet untitled) is scored by Jherek Bischoff. Nov. 8-17; Marion Oliver McCaw Hall, 321 Mercer St., Seattle; tickets from $37; 206-441-2424, pnb.org — M.M.
Read more in The Seattle Times.
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"The Devil Ties My Tongue" SKETCH Series 2013 | photo: David DeSilva
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