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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
New York Times: Review: At Ballet Theater, Premieres More Pale Than Ghostly
By Brian Seibert
17 October 2019
At American Ballet Theater’s fall gala on Wednesday, along with premieres by Jessica Lang and Twyla Tharp, there was much talk of women. The honoree, Lisa Lutoff-Perlo, the president and chief executive of Celebrity Cruises, drew a parallel between the fight against gender imbalances in her industry and in ballet. Just as she congratulated herself for hiring the first and so far only female captain, so she praised Ballet Theater for its Women’s Movement initiative supporting female choreographers.
The stark maritime statistics were new to me, but not the ballet numbers. For several years now, people in the ballet world have not just been talking about the longstanding gender imbalance in choreography; they’ve been changing it. Efforts like Ballet Theater’s have been giving female choreographers more chances to create work and get it seen, more chances to do what male choreographers have always been allowed to do: sometimes make hits, sometimes make duds.
Read the full article in The New York Times.
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