By Maria Abi-Habib
5 January 2019
LAHORE, Pakistan — Kiran remembers the days when she shimmied confidently across rooms adorned with plush velvet pillows and fine carpets, working alongside a troupe of trained musicians and commanding the attention of Pakistan’s wealthiest men.
Now, she travels with a crusty boom box and a few CDs of electronic music to dance in front of groups of ogling men who want one thing: sex.
“It used to be more about the art, the dancing and music,” said Kiran, 28, who asked that her last name not be used because of safety concerns. “Now, after one or two songs, all the men think about is the bed.”
Kiran is part of the dying tradition of the dancing girls of Lahore, a once famed and respected profession, with dancers employed for hundreds of years by the courts of the maharajahs to perform for royal audiences.
Read the full article in the New York Times.