By Michael Paulson
19 March 2019
To understand the striking transformation taking place in the American theater, consider Nataki Garrett.
Ms. Garrett, a stage director who has held leadership posts in California and Colorado, is an African-American woman with a track record of championing new work. On Tuesday, she is being named the sixth artistic director of the Oregon Shakespeare Festival, a Tony-winning nonprofit with a $44 million budget and an annual audience of 400,000.
Across the country, scores of artistic directors, most of them white men who have served as community tastemakers for years, are leaving their jobs via retirements, ousters, and an industrywide round of musical chairs. As their successors are appointed, a shift is underway: according to a national survey conducted by two Bay Area directors, women have been named to 41 percent of the 85 jobs filled since 2015, and people of color have been named to 26 percent.
Read the full article in The New York Times.