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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
14 April 2021
By Valentina Di Liscia
It has been over a year since the COVID-19 outbreak was declared a global pandemic, but another health crisis has been silently brewing. Experts are beginning to grasp the virus’s devastating effects on our collective mental well-being, particularly for communities disproportionately impacted — essential workers, low-income populations, and people of color among them.
In the museum field, workers experienced sweeping job loss, salary cuts, and burnout that exacerbated the pandemic’s stressors. A new survey by the American Alliance of Museums (AAM) finds that the sector’s workers have suffered “a grave toll on their mental health and wellbeing,” rating the impact at an average of 6.6 out of 10. Though many institutions remained shuttered during peaks in virus cases, half of museum staff reported a heavier workload.
Unsurprisingly, independent consultants, contractors, and freelancers — often hired as educators and other key roles in museums — bore the brunt of financial insecurity. More than half had contracts canceled or indefinitely postponed, struggled to find work, and lost over 50% of their pre-pandemic income on average.
Similarly, nearly two-thirds of part-time staff said they lost a median of $8,000 due to reduced salaries, benefits, or hours. Compared to their full-time colleagues, this group of workers faces greater instability: they are more likely to live paycheck to paycheck and less likely to have enough disposable income to save or spend on leisure.
The survey’s findings also reveal the role of gender and race in these workers’ experiences of pandemic-related mental health factors. Museum staff who identify as women were more likely to report an increase in workload and adverse effects on their schedules, salary, and mental health, and BIPOC respondents experienced more financial stress and fewer financial resources than their white counterparts.
To read the piece, click here. You can access the survey report from the American Alliance of Museums here.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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