March 29th: USArtists International, April 14th: Arkansas Arts Council Individual Artist Fellowship, April 30th: Copenhagen International Choreography Competition, May 7th: Atlantic Center for the Arts Mentoring Artist-in-Residence Program, May 22nd: National Performance Network - Creation & Development Fund, May 31st: National Dance Project Travel Fund, June 1st: New York Choreographic Institute Residency, June 1st: Sadie-Rose Residency Program, June 12th: National Dance Project Production Grant - New England Foundation for the Arts, June 30th: South Arts Professional Development & Artistic Planning Grants
“How many times have I heard at the end of a ballet performance, ‘Why did the choreographer selectthatpiece of music?’ Or, ‘I saw X choreograph that music much better.” Or, “The music didn’t fit the dance.’
While I don’t agree with Elizabeth Streb that music is the enemy of dance, some pieces of music are.
How do we help choreographers find an ally – a piece of music best suited to realize their artistic vision? Maybe by looking beyond what the herd is doing.”
https://www.dancedataproject.com/wp-content/uploads/2019/05/DDP_logo_Primary.png00Isabelle Vailhttps://www.dancedataproject.com/wp-content/uploads/2019/05/DDP_logo_Primary.pngIsabelle Vail2017-11-06 14:30:542019-02-13 02:57:50Huffington Post: Women can write ballet music as well as men