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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
By Verena Greb
9 September 2020
Professional ballet schools have a reputation for cut-throat competition and harsh demands, from bloody toes and caloric deprivation to submitting to an iron-clad training regime, often far from home and at a vulnerable preteen age. Germany’s schools are no exception.
Recently, the Berlin State Ballet School and School for Acrobatic Arts (SBB), as well as the Ballet Academy of the Vienna State Opera in Austria, had to confront accusations of structurally endangering children’s well-being. Both institutions were forced to close temporarily as special commissions examined the allegations.
On Monday, the report of the Berlin examination was published . The review was conducted from early this year through mid-August by an independent commission of experts and involved interviews with more than 150 parents, students and teachers at the SBB.
Read the full article here.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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