Resources
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
March 31st: SIA Foundation Grants, April 1st: Harkness Foundation for Dance Grant Proposal, April 1st: The Democracy Cycle, April 10th: Amplifi Napa Valley - Emerging Artists Grant, April 30th: Oconee Performing Arts Society, May 1st: Small Plates Choreography Festival, July 31st: Community Engagement Artists and Creatives Grant, September 16th: The Awesome Foundation Micro Grants, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program, December 31st: Breck Creek Artist-in-Residence Program
×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
This is Dance Data Project®’s (DDP) third Largest Contemporary and Modern Companies Report. This year’s report covers 125 companies, an increase from the 75 companies included in 2023, marking a substantial expansion in DDP’s annual analysis of contemporary and modern dance companies.
DDP has released its first report analyzing gender representation in choreography for The Nutcracker and other holiday productions. This mini report or “Data Byte” covers the 2023/2024 and 2024/2025 seasons.
This is Dance Data Project®’s (DDP) third Largest Contemporary and Modern Companies Report. This year’s report covers 125 companies, an increase from the 75 companies included in 2023, marking a substantial expansion in DDP’s annual analysis of contemporary and modern dance companies.
With this Data Byte, Dance Data Project® examines the role of resident choreographers at prominent dance companies for the fourth year annually. New additions to this year’s report include the Additional 50 U.S. Ballet & Classically Based Companies and an expanded global company sample. As a result, DDP analyzes 348 companies, a significant increase from the 270 companies previously studied.
This is Dance Data Project®’s (DDP) third Largest Contemporary and Modern Companies Report. This year’s report covers 125 companies, an increase from the 75 companies included in 2023, marking a substantial expansion in DDP’s annual analysis of contemporary and modern dance companies.
This is Dance Data Project®’s (DDP) third Largest Contemporary and Modern Companies Report. This year’s report covers 125 companies, an increase from the 75 companies included in 2023, marking a substantial expansion in DDP’s annual analysis of contemporary and modern dance companies.
The third annual study examining the gender distribution of leadership at ballet companies and classically based companies around the globe. This report examines the gender distribution of critical leadership positions including artistic directors, executive directors, assistant artistic directors, heads of schools, and artistic directors of second companies. DDP has also expanded to include rehearsal directors for the first time. This is DDP’s 34th report released since 2019.
The third annual study examining the gender distribution of leadership at ballet companies and classically based companies around the globe. This report examines the gender distribution of critical leadership positions including artistic directors, executive directors, assistant artistic directors, heads of schools, and artistic directors of second companies. DDP has also expanded to include rehearsal directors for the first time. This is DDP’s 34th report released since 2019.
The third annual study examining the gender distribution of leadership at ballet companies and classically based companies around the globe. This report examines the gender distribution of critical leadership positions including artistic directors, executive directors, assistant artistic directors, heads of schools, and artistic directors of second companies. DDP has also expanded to include rehearsal directors for the first time. This is DDP’s 34th report released since 2019.
With this Data Byte, Dance Data Project® examines the role of resident choreographers at prominent dance companies for the fourth year annually. New additions to this year’s report include the Additional 50 U.S. Ballet & Classically Based Companies and an expanded global company sample. As a result, DDP analyzes 348 companies, a significant increase from the 270 companies previously studied.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery