December 11th: Camille A Brown & Dancers’ (CABD) Mentorship Program, December 31st: BalletX Choreographic Fellowship, December 31st: Dance Ireland Residency, January 19th: artsHERE Initiative, May 1st: South Arts Professional Development & Artistic Planning Grants
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
By Siobhan Burke
3 August 2019
In the annals of dance history, 2019 may go down as the year Pam Tanowitz got the attention she deserved. In the past six months the New YorkCity–based artist, 49, has brought her imaginative formalism to the Martha Graham Dance Company, New York City Ballet, the Paul Taylor Dance Company and the Kennedy Center’s Ballet Across America festival. The recent recipient of an Alpert Award in the Arts, Tanowitz is not slowing down, with new works on deck for Vail Dance Festival this month and The Royal Ballet’s Merce Cunningham celebration in October.
I was shocked. I think it just speaks to their new leadership. Throughout my career I applied to their choreographic institute about five times and got rejected.
Read the full article on Dance Magazine’s Blog.
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