Loading
Dance Data Project
  • About
    • Our Purpose
    • The DDP Team
    • The DDP Advisory Council
    • DDP Accomplishments
  • Research
    • Our Research
    • Research Calendar
  • Advocacy
    • Connecting the Dots: Yes This Is An Arts Story
    • #AskB4UGive
    • Financial Literacy Checklist
    • Minding The Gender Pay Gap
  • Resources
    • 2020-2021 Season Status Updates
    • Covid-19 Resources
    • Competitions, scholarships, w/ deadlines, requirements, stipends, grants, etc.
    • Leader Board
    • Choreographer Checklists
    • Books and Film on Ballet and the Business of Ballet
    • Articles and Research
    • Previously Published Research
    • Minding The Gender Pay Gap
  • Interviews
    • Global Conversations
    • DDP Talks To
  • News
    • Announcements
    • DDP in the News
    • Newsletter
  • Contact
  • Donate
  • Search
  • Menu Menu
  • Twitter
  • Facebook
  • Instagram

News

"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery

Dance Magazine: From Stage to Screen: Andrea Miller Turns One of Her Beloved Works Into an Epic Dance Film

November 6, 2020/0 Comments/in Ballet Programming, Awards, and Season Announcements, News /by dancedata

By Jennifer Stahl

5 November 2020

Now that most dance performances have migrated online, we’re seeing a lot of work that was never meant to be experienced through a laptop screen. Some are streamed in an attempt to capture that thrill of being “live.” Others are filmed from multiple angles so we get shots of the dancers up close. But most choreography that was created for the theater still feels like it would work best…in a theater.

Choreographer Andrea Miller is taking a different approach. Her company, Gallim, had long had an engagement planned at the University of Minnesota’s Northrop theater for this month, and director of programming Kristen Brogdon was committed to finding a way to make it happen. So they started brainstorming options. “I think Kristen was really quick to say, ‘I would love to see BOAT‘—one of the pieces scheduled to tour—’turned into a film,’ ” says Miller.

Miller first made BOAT in 2016 in response to forced migration, exploring the idea of searching for home. “One of the things we wanted our North to be was how having connection is so deeply fundamental to us, and how the loss of that is tragic. Losing someone, or being pulled apart is one of the biggest strains in life,” she says. “It seems like now is a time where that’s very clear to us all.”

There’s also a perpetual presence of a TV and static in the piece; Miller describes it as “having this constant weight of tragedy chewed into bite-size content.”

Although she’d taken part in a handful of film projects before COVID-19 hit, Miller had never before made her own video productions. Then she was commissioned to make a dance film with Ballet Hispánico, then for Works & Process Artists Virtual Commissions, both times working with filmmaker and director Ben Stamper, whom she’d met four years earlier at Grace Farms.

“When you have an opportunity to work with a filmmaker and a director, it’s entering a new creative space,” says Miller. “There’s so much interesting storytelling and perspective that Ben brings to his work that I wanted to open the door for BOAT to become its own work on film. It has connection of course to the original choreography, but isn’t trying to be a re-creation of it.”

Read the full article here.

Share this entry
  • Share on Facebook
  • Share on Twitter
  • Share on WhatsApp
  • Share on Pinterest
  • Share on LinkedIn
  • Share on Tumblr
  • Share on Vk
  • Share on Reddit
  • Share by Mail
https://www.dancedataproject.com/wp-content/uploads/2019/12/Screen-Shot-2019-12-17-at-12.41.18.png 532 1018 dancedata https://www.dancedataproject.com/wp-content/uploads/2019/05/DDP_logo_Primary.png dancedata2020-11-06 12:58:282020-11-06 12:58:28Dance Magazine: From Stage to Screen: Andrea Miller Turns One of Her Beloved Works Into an Epic Dance Film
0 replies

Leave a Reply

Want to join the discussion?
Feel free to contribute!

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Categories

  • Initiatives Worth Following
  • DDP in the News
  • Global Conversations
  • #YesThisIsAnArtsStory
  • DDP Talks To
  • Ballet Programming, Awards, and Season Announcements
  • Choreographer/Artist Profile
    • New Voices
  • Pay Equity, Transparency and Safety
  • News
  • Other Arts & Related Fields
  • DDP Announcements

Tags

Akram Khan Alastair Macaulay Alexander Sanger Alexandra Botti Alexei Ratmansky Anna D- Shapiro Ballet West Black Swan Caroline Miller Classical Indian Dance Courtney Escyne Cristina Rocca Dance Data Project Dance Magazine Eri Yoneda Financial Times Flesh and Bone Gia Kourlas Gianna Reisen Griselda Murray Brown Harvey Weinstein Heather Hartley Helen Pickett Jennifer Stahl Lauren Lovette Lauren Wingenroth Liza Yntema Luke Jennings Michael Scolamiero New York City Ballet New York Times Not Our Fate Odissi Orlando Ballet Patricia Baretto Peter Martins phindie PRI Public Radio International Ritha Devi Roell Schmidt Tania Castroverde Moskalenko The Guardian Twyla Tharp Vail Dance Festival

Contact Us

Reach out to us to learn more about our mission.

Contact Us

"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery

About DDP

  • About the Dance Data Project
  • The DDP Advisory Council
  • The DDP Team
  • DDP in the News

Research

  • Our Research
  • Research Calendar

Interviews

  • Global Conversations
  • DDP Talks To

Resources

  • Resources
  • 2020-2021 Season Status Updates
  • Articles and Research
  • Books and Film
  • Choreographer Checklists
  • Competitions & Scholarships
  • Covid-19 Resources
  • Leaderboard
  • Minding The Gender Pay Gap
  • Previously Published Research

Advocacy

  • Advocacy
  • #AskB4UGive
  • Financial Literacy Checklist

Contact Us

© Copyright - Dance Data Project
  • Twitter
  • Facebook
  • Instagram
  • Terms & Conditions
  • Privacy Policy
  • Data Disclaimer
  • Press
  • Submit Your Data
Now or Never: Ballet must shift to survive the Covid era We-Ha.com: Getting ‘Up Close’ with Ballet Theatre Company
Scroll to top