Loading
Dance Data Project
  • About
    • Our Purpose
    • The DDP Team
    • The DDP Advisory Council
  • Research
    • Our Research
    • Research Calendar
  • Advocacy
    • Connecting the Dots: Yes This Is An Arts Story
    • #AskB4UGive
    • Financial Literacy Checklist
    • Minding The Gender Pay Gap
  • Resources
    • 2020-2021 Season Status Updates
    • Covid-19 Resources
    • Competitions, scholarships, w/ deadlines, requirements, stipends, grants, etc.
    • List of Women in Prominent Creative Roles
    • Choreographer Checklists
    • Books and Film on Ballet and the Business of Ballet
    • Articles and Research
    • Previously Published Research
    • Minding The Gender Pay Gap
  • Interviews
    • Global Conversations
    • DDP Talks To
  • News
    • Announcements
    • DDP in the News
  • Contact
  • Donate
  • Search
  • Menu Menu
  • Twitter
  • Facebook
  • Instagram

News

"The Devil Ties My Tongue" SKETCH Series 2013 | photo: David DeSilva

Continuing the Conversation: DEFYING TRADITION WITH PRIDE

September 11, 2020/0 Comments/in Pay Equity, Transparency and Safety /by dancedata

By Adriana Pierce

27 June 2019

One sunny morning, several years ago, I was walking down Ocean Drive holding hands with a woman. I was dancing with Miami City Ballet at the time, and it was a much-needed day off. We strolled down the iconic South Beach strip, and a man sitting on the porch of a hotel began yelling obscenities at us. This is not an unusual experience for two young women walking down a city street, so it took me a few moments to realize that he was actually spewing homophobic slurs at us. We are taught to keep our heads down and walk faster in these situations, but this man took our lack of response personally and turned his slurs into hostile threats and insults while we quickened our pace. He advanced towards us as we passed, and his shouts culminated in one last biting put-down: “Oh, I bet your mother is really proud of you.”

Not all of my experiences as a queer woman have been as blatantly hostile, but working as one of the only openly queer women in professional ballet has certainly been far from easy. Ballet has always been entrenched in tradition. While this may serve to uphold a technical standard, rigid conformity makes it difficult for the artform to evolve, especially when it comes to expressing sexual identity and presenting gender equality. Just over a year ago, choreographer Alexei Ratmansky stated, “there is no such thing as equality in ballet… and I am very comfortable with that.” Along with this comment, he included a photoshopped picture of a classical ballerina supporting a male dancer high above her head with one arm, and some remarks about how men should do the lifting and escorting and women should dance on pointe, “not the other way around.”

Understandably, these statements made by such a high-profile choreographer sent ripples throughout the ballet community. It is his prerogative to perpetuate outdated and arguably harmful gender stereotypes in his own work, and he will be responsible for the fallout of those choices. The problem comes when we allow this narrow-minded thinking to shape the conversation that we all need to be having about ballet’s future. When did art become something that should be comfortable? Adhering to tradition is not so important that it is worth alienating the people and stories that might encourage ballet to grow and remain culturally relevant. I believe in ballet’s ability to preserve its integrity while also serving as an essential cultural voice, but in order to do that we must embrace diversity and explore the boundless potential of the art form instead of its limits. Ballet will survive without the sexism, homophobia, and stifling reliance on normative gender presentation – and I can say that with confidence because, as a queer woman who has experienced all of those things, my very existence in this professional space directly challenges established thinking.

Read the full piece here.

Share this entry
  • Share on Facebook
  • Share on Twitter
  • Share on WhatsApp
  • Share on Pinterest
  • Share on LinkedIn
  • Share on Tumblr
  • Share on Vk
  • Share on Reddit
  • Share by Mail
https://www.dancedataproject.com/wp-content/uploads/2019/12/Screen-Shot-2019-12-17-at-12.41.18.png 532 1018 dancedata https://www.dancedataproject.com/wp-content/uploads/2019/05/DDP_logo_Primary.png dancedata2020-09-11 12:28:142020-09-11 12:28:14Continuing the Conversation: DEFYING TRADITION WITH PRIDE
0 replies

Leave a Reply

Want to join the discussion?
Feel free to contribute!

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Categories

  • Initiatives Worth Following
  • DDP in the News
  • Global Conversations
  • #YesThisIsAnArtsStory
  • DDP Talks To
  • Ballet Programming, Awards, and Season Announcements
  • Choreographer/Artist Profile
    • New Voices
  • Pay Equity, Transparency and Safety
  • News
  • Other Arts & Related Fields
  • DDP Announcements

Tags

Akram Khan Alastair Macaulay Alexander Sanger Alexandra Botti Alexei Ratmansky Anna D- Shapiro Ballet West Black Swan Caroline Miller Classical Indian Dance Courtney Escyne Cristina Rocca Dance Data Project Dance Magazine Eri Yoneda Financial Times Flesh and Bone Gia Kourlas Gianna Reisen Griselda Murray Brown Harvey Weinstein Heather Hartley Helen Pickett Jennifer Stahl Lauren Lovette Lauren Wingenroth Liza Yntema Luke Jennings Michael Scolamiero New York City Ballet New York Times Not Our Fate Odissi Orlando Ballet Patricia Baretto Peter Martins phindie PRI Public Radio International Ritha Devi Roell Schmidt Tania Castroverde Moskalenko The Guardian Twyla Tharp Vail Dance Festival

Contact Us

Reach out to us to learn more about our mission.

Contact Us

"The Devil Ties My Tongue" SKETCH Series 2013 | photo: David DeSilva

About DDP

  • About the Dance Data Project
  • The DDP Advisory Council
  • The DDP Team
  • DDP in the News

Research

  • Our Research
  • Research Calendar

Interviews

  • Global Conversations
  • DDP Talks To

Resources

  • Resources
  • 2020-2021 Season Status Updates
  • Articles and Research
  • Books and Film
  • Choreographer Checklists
  • Competitions & Scholarships
  • Covid-19 Resources
  • List of Women in Prominent Creative Roles
  • Minding The Gender Pay Gap
  • Previously Published Research

Advocacy

  • Advocacy
  • #AskB4UGive
  • Financial Literacy Checklist

Contact Us

© Copyright - Dance Data Project
  • Twitter
  • Facebook
  • Instagram
  • Terms & Conditions
  • Privacy Policy
  • Data Disclaimer
  • Press
  • Submit Your Data
DW: Berlin’s state ballet school confronts allegations of abuse The Patriot Ledger: Boston Ballet’s ‘The Nutcracker’ leaps onto TV this...
Scroll to top