DDP Talks To
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
October 10th: Dance/NYC's Disability. Dance. Artistry. Dance and Social Justice Fellowship Program, October 15th: Carmel Dance Festival Choreography Fellowship, October 15th: NDEO, What Data Can Do for You: Data-Driven Opportunities in Dance Education, November 1st: Carmel Dance Festival Dance Fellowship
×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
4 December 2019
Linda Shelton, Executive Director of The Joyce Theater Foundation, unveiled the full slate of programming for the organization’s Spring/Summer 2020 season, featuring a diverse roster of companies from across the U.S. and around the world. From classical ballet and seminal contemporary dance to some of the most in-demand choreographers and dancers creating new work today, the New York City organization continues to pave the way for dance as one of the world’s most renowned presenters of the art form. The Joyce Theater‘s Spring/Summer 2020 season will see dance artists and companies celebrate monumental milestones and boundary-breaking world premieres, creating a unique blend of revered tradition and future classics across genres that will both delight dance aficionados and engage new audiences all season long.
Five esteemed companies will celebrate their 50th anniversaries with engagements at The Joyce Theater in 2020. In its golden year, Ballet Vlaanderen, locally known as Ballet Flanders, will make its Joyce debut with a mixed bill featuring a blend of contemporary dance – Crystal Pite‘s much-lauded Ten Duets on a Theme of Rescue – and traditional Kathak dance from India – Akram Khan‘s Kaash. In April, three companies in the half-century club will take the stage commemorating their contributions to the dance world: Honoring generations of Latinx choreographers, Ballet Hispánico presents, New York premieres from both Gustavo Ramírez Sansano and Annbelle Lopez Ochoa, among other works; Trisha Brown Dance Company marks its anniversary with a double bill of Brown’s collaborations with Robert Rauschenberg; and Pittsburgh Ballet Theatre’s repertory program, focusing on human relationships, concludes with the premiere of a dance-multimedia work by Staycee Pearl. Charlotte Ballet returns in May for its 50th celebration with a mixed bill of thrilling contemporary works, all having their New York premieres.
Read the full article on Broadway World.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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