Birmingham Royal Ballet’s CREATIVE CONSORTIUM – An Exciting Aspect of Ballet Now
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
December 11th: Camille A Brown & Dancers’ (CABD) Mentorship Program, December 31st: BalletX Choreographic Fellowship, December 31st: Dance Ireland Residency, January 19th: artsHERE Initiative, May 1st: South Arts Professional Development & Artistic Planning Grants
×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
In October 2017, Birmingham Royal Ballet announced Ballet Now, an initiative dedicated to commissioning not just new dance, but new art in every area surrounding classical ballet. David Bintley, the comapny’s former director said of the plan, “There’s not been a commissioning programme like this since Diaghilev.”
According to the company, Ballet Now’s purpose is “to provide a unique and enriching pathway to aid the development of choreographers, composers and designers who show originality and world-class potential. Each participant will create new works that will be shared with audiences throughout the UK and beyond, premiering at either Birmingham Hippodrome or Sadler’s Wells, London. Over five years the initiative will support 30 new artists, ten choreographers, ten composers and ten designers providing them with mentoring, resources and access to Birmingham Royal Ballet’s outstanding facilities. “
The average American company premieres around two to three new works a season – many of these are commissions of the same choreographers year after year. In the same amount of time, Birmingham Royal Ballet will support more than just a choreographer creating a new work. The company will bring in multiple artists in a plethora of areas critical to developing the art form.
This news comes at a critical time, when audiences are craving new work but companies are favoring the same few artists.
Ballet Now will be overseen by a roster of professionals called the Creative Consortium, the recently-announced experts are evenly split in terms of gender and come from a wide range of backgrounds, representing the company’s commitment to equity and diversity.
David Bintley, CBE
Alistair Spalding
Ted Brandsen
Sally Beamish
Sally Cavender
Koen Kessels
Cassa Pancho
Emma Southworth
Read more about Ballet Now here.
Read the Creative Consortium members’ backgrounds here.
Reach out to us to learn more about our mission.
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
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