American Ballet Theatre: From the Page to the Stage The American Premiere of JANE EYRE
ABT discusses Cathy Marston’s Jane Eyre.
April 30th: South Arts: Professional Development & Artistic Planning Grants, April 30th: South Arts: Express Grants, May 6th: Doris Duke Foundation Grant, May 7th: South Arts Individual Artist Career Opportunity Grant, May 27th: Dancemakers Residency, June 1st: Miami DanceMakers
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ABT discusses Cathy Marston’s Jane Eyre.
The following is a report on the gender distribution of choreographers in the upcoming seasons of the 50 largest ballet companies in the United States that have been reported so far this year (38 out of 50 as of May 23, 2019). The data is separated into subsections, focusing on different aspects of the distribution of male and female choreographic work included in the upcoming seasons. DDP cites sources and discusses limitations and important disclaimers at the end of the report.
On the occasion of American Ballet Theater’s revival of the game-changing “Deuce Coupe,” Ms. Tharp and Sara Rudner talked with the dancers taking their roles, Isabella Boylston and Misty Copeland. (Yes, it’s O.K. to fall.)
Innovation featuring female choreographers.
“Visionary” Lourdes Lopez brings diverse programming to Ballet Across America and her company, Miami City Ballet.
Conventional wisdom has long asserted men outperform women in long-distance races. Ultramarathon results prove that assumption wrong.
A series of dance bills from Aussie groups proved to be, at best, of pleasant, passing interest.
Pam Tanowitz is praised by The Times.
A union meant to protect dancers is also bringing back a controversial figure to NYCB.